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| Studio Sessions for RCA June 4-8, 1970: RCA's Studio B, Nashville |
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| June 4, 1970, at 6:00 P.M. engineer Al Pachucki began setting the levels for each of the musicians on the sixteen-track machine that had replaced the old four-track that had been in service for Elvis' last Nashville sessions. Elvis took his position in the center of the recording studio as James Burton led the group from a basic rehearsal riff into "Mystery Train." Shouts of encouragement from Elvis helped the band loosen up. June 5, As long as Elvis felt he had something to add to a song he had no compunction about challenging an existing version, that's how he'd got his start, after all. By the end of the night Felton had another three masters in the can, the two sincere and beautiful ballads "I'll Never Know" and "Mary In The Morning," as well as a Spanish-flavored version of "Stranger In The Crowd." "Mary In The Morning" recorded June 5, 1970. First released on LP: That's The Way It Is. **The Complete Recording Sessions by Ernst Jorgensen** |
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| Nothing's quite as pretty as Mary in the morning When through the sleepy haze I see her lying there Soft as the rain that falls on summer flowers Warm as the sunlight shining on her head When I awake and see her there so close beside me I want to take her in my arms, The ache is there so deep inside me Nothing's quite as pretty as Mary in the morning Chasing the rainbow in her dreams so far away And when she turns to touch me I kiss her fingers so softly And then my Mary wake to love and love again And Mary's there in summer days or stormy weather She doesn't care how right or wrong the love we share, We share together Nothing's quite as pretty as Mary in the evening Kissed by the shade of night and starlight in her hair And as we walk, I hold her close beside me All our tomorrows for a lifetime we will share Words & music: Cymbal/ Rashkow |
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